Full stack creative services for 360 artist development
music production
songwriting
Anthemic melodies.
Catchy hooks.
Global appeal.
I have written, performed, and produced +300 custom songs for clients worldwide through my partnership with Songfinch , a custom song platform trusted by thousands and featured in outlets like Billboard and Rolling Stone for pioneering personalized music at scale.
Working at high volume with fast turnarounds has sharpened my technical process considerably. During peak periods like Valentine's Day, I've completed seven songs in under 15 hours — writing, performing, recording, and delivering a fully produced master. That pace has made improvisational top-lining and structural composition reliable, repeatable skills rather than occasional strengths.
While much of Songfinch's roster operates within a single cultural register, my work draws a broader clientele. I've become a go-to for bilingual and multiracial families who find standard Western pop too narrow for their stories.
Bilingual songwriting: I write fluidly in both English and Spanish, allowing bilingual couples to have their story told in both languages without sacrificing the integrity of either.
Latin & Middle Eastern influence: My background in Latin rhythms and Middle Eastern and Indian melodic scales makes me a natural fit for clients seeking a sound rooted in those traditions — particularly Latin American and Middle Eastern-American clients looking for something that actually reflects their musical heritage.
In addition to my commercial work, I have maintained a solo practice, releasing a diverse catalog of singles over the last several years. My work serves as a laboratory for genre-bending, where I experiment with the intersection of R&B, Hip-Hop, Dancehall, and Reggaeton, as well as the structural textures of Metal and Rock. This personal discography allows me to push the boundaries of my production and vocal style, which I then bring into the studio as a songwriter for other artists—collaborating to sharpen their narratives and refine their melodic architecture.
My work in audio manipulation and arrangement has also gained recognition from industry titans. I produced a specialized mashup fusing Tainy’s "11:11" with the Timbaland-produced "Cry Me a River" (Justin Timberlake). The track resonated within the highest tiers of the industry, leading to a repost from Beat-Club and direct engagement from both Tainy and Timbaland. This moment served as a public validation of my ability to identify and execute seamless sonic connections between global Latin sounds and iconic American production.
